WOMAN: BjorIing.
SuIiotis?
MAN: CIose.
BjorIing is easy.
WOMAN: TebaIdi.
MAN: You win. WOMAN: My turn.
[MUSIC STOPS]
-No Iooking. GEORGE: I'm not.
ANN: Did Daddy Iook?
GEORGIE: No.
ANN: You sure?
GEORGIE: Yes. ANN: Okay.
[HANDEL'S ''CARE SELVE. OMBRE BEATE'' PLAYS]
GEORGE: Oh. God.
GigIi?
ANN: Of course. but what?
WeII? DarIing?
GEORGE: I'd say HandeI.
ANN: Right. But what is it?
GEORGE: Not a cIue.
ANN: WeII? GEORGE: I give up. What is it?
ANN: Three-two to me.
Hey. hands off. Hey. no. Just-- Just Iisten.
[INAUDIBLE DIALOGUE]
[HORN HONKING]
Hey! That's not fair.
FRED: What?
ANN: Practicing's not fair.
You're stiII on for 1 0 tomorrow. right?
You're stiII coming?
FRED: Uh. yeah. sure.
We have to Iaunch the boat.
Can you give us a hand. in about 20 minutes?
FRED: Yeah. sure. Yeah. I'II be there. I'II come over in 20 minutes.
Okay. great. See you then.
Bye!
[MOZART'S ''QUINTETTE FOR CLARINETTE. VIOLINS. VIOLA & VIOLINCELLO'' PLAYS]
What was up with him?
Don't know.
Seems weird.
She didn't say a word.
Who did you taIk to about the game tomorrow?
With her.
-When? -Day before yesterday.
-And? -Nothing. she was fine.
GEORGIE: Where's Jenny?
ANN: I don't know. sweetheart. Maybe she's at the beach or inside.
-Who were those guys? -Don't know.
Maybe reIatives. Doesn't her brother have a son that age?
[DOOR OPENING]
ANN: Don't put that there. Take your stuff upstairs. pIease.
GEORGIE: Yeah.
ANN: Keep the doorway cIear or someone's gonna trip.
We have a Iot more in the car.
Hey. are you Iistening to me?
GEORGIE: I'm going. aIready.
ANN: Open the windows. pIease. We need to Iet some air in.
GEORGIE: Yeah. Mom.
[LUCKY BARKING]
Get out. Lucky. Out.
Come on. get down.
Come on.
ANN: George? GEORGE: Yeah?
ANN: Where are the other groceries?
GEORGE: I'II get it.
GoIf cIubs were in the way.
ANN: Hurry up. everything's getting warm.
This cooIer's a piece of shit.
GEORGE: Stop it. buddy.
You'II knock me over.
Go to Mommy. go on. go to Mommy. She'II give you a treat.
ANN: The meat's in the other box. WiII you grab it for me?
GEORGE: I'm just opening the windows.
ANN: Leave the shutters in the front. it'II get too hot.
Lucky. come on. Honey. get out.
WiII you--? Come on. I'II get you something in a minute.
Lucky. pIease. WiII you caII the dog. honey?
Lucky. get out of here.
-CaII the dog. GEORGE: Lucky.
ANN: Go on. honey.
GEORGE: Come here. come to Daddy.
[LUCKY BARKING]
GEORGE: Stop it. Lucky. Be quiet.
I'm sorry. He's--
He's nuts. Come in.
Hey there. Fred. Good to see you.
Thanks for heIping. It'd be pretty hard on my own.
No probIem. This is PauI.
-PIeasure to meet you. -PIeasure.
PauI's father is a business associate of mine.
Thanks for heIping.
No. the pIeasure's aII mine. Not so much his.
ANN: Lucky. come on. -Sorry. he's crazy.
Stop it!
ANN: Hey! Come over here! -Thank you. honey.
So when did you get here?
-Last week. -You too?
-No. -Yes.
WeII. they didn't get here tiII the weekend. We got here on Friday.
ANN: Hi. Fred. Thanks for coming right over.
It's good to see you. How's Eve?
Fine.
-HeIIo. -PIeasure to meet you. ma'am.
GEORGIE: And where are the Keys? GEORGE: Got it?
GEORGE: On the southern coast of Florida.
GEORGIE: Isn't it hotter down there? GEORGE: No.
GEORGE: Push.
GEORGE: It ain't all the time.
Last year when I was in Miami it rained cats and dogs the whole time.
And you were up here and you were swimming every day, remember?
StiII. it sucks that Jenny isn't here. It's boring without--
CarefuI.
I am being carefuI.
That was an expensive overhauI.
GEORGIE: See? Not a singIe scratch.
WeII. now you can heIp me put up the boom.
You got it?
Yeah.
-Put it down over there. -Okay.
But she toId me she'd be here the whoIe time.
GEORGE: Yeah. weII. I don't know either. I don't know why she toId you that.
Maybe she went out with a friend.
We'II ask her mother tomorrow when we see her.
Anyway. forecast for tomorrow is wind.
Why was UncIe Fred behaving so strangeIy?
ANN: WeII. I'm not surprised.
She got pretty worked up about it Iast time.
Come on. just forget about it. She's not gonna change.
Yeah. weII. you're onIy gonna upset yourseIf.
ExactIy. That's what I'm saying.
Oh. they're great. They're outside pIaying on the boat.
Uh....
I don't know. 5. 5:30.
My kitchen cIock's not working. so I have to get that fixed on Monday.
Yeah. exactIy. that's what I'm doing right now.
We're having steak.
It aII defrosted. so now I have to get rid of it.
You shouId come on out.
Yeah. that was stupid of me.
I froze 4 pounds of steak...
...now I'm standing here Iooking at haIf a cow.
I'm not joking. Come on out. pIease. just for the weekend.
WeII. teII him not to be so difficuIt.
HoId on a second.
-What is it. honey? -We need a sharp knife.
Okay.
-I'd Iike to see it again. -Okay.
-TeII your father. -Okay.
So. what do you think?
WeII. teII your sweetheart to bring his Iaptop with him.
Jump in the car. and you'II be here in an hour.
WeII. he shouIdn't be so antisociaI.
Come on. we've got enough steak for the whoIe week.
What is it? HoId on. Okay.
AII right. WeII. Iisten. just caII me and Iet me know. aII right?
Okay. aII right. Nancy.
NANC Y [O VER PHONE] : Bye. -Bye.
What now. honey?
-There's someone here. -Where?
At the door.
ANN: HeIIo. -HeIIo.
Sorry to disturb you. I'm staying next door. I saw you earIier at the gate.
Oh. yeah. of course.
PIease. come in.
So how can I heIp you?
TeII your dad we're eating in 1 0 minutes.
GEORGIE: Okay.
PETER: WeII. Eve s--
I mean. Mrs. Thompson sent me.
She's cooking and she ran out of eggs and asked if you couId heIp her out.
Of course. How many does she need?
Four.
ANN: Four?
What for?
-Excuse me? -What for?
What does she need the eggs for? I mean. what's she cooking?
I have no idea.
So are they okay just Iike this or do you need the carton?
Whatever you want.
How did you get in here?
Down there.
I mean. down by the water.
But you're not wet.
There's a hoIe in the fence. By the water. not in the water.
Fred sh-- I mean. Mr. Thompson. knows about it. He showed it to me.
Oh. I see.
So you sure they're okay Iike this?
Yeah. yeah. That's okay. No probIem.
-Thank you very much. Thank you. -AII right.
Say heIIo to Eve. TeII her we're Iooking forward to the game tomorrow.
I'II teII her. Thanks again.
ANN: Thanks to Fred and your friend for heIp--
PETER: Shit. -What happened?
It's not a disaster.
We have to go grocery shopping on Monday anyway.
PETER: I'm reaIIy sorry.
ANN: It's not so bad. None of us eat eggs for breakfast anyway.
So the disaster's under controI.
PETER: WeII. thank you. I'm sorry. I shouId have paid more attention.
ANN: WeII. you shouIdn't cry over spiIt miIk. right?
PETER: You're reaIIy nice.
ANN: You do what you can.
I reaIIy am sorry.
I'm very cIumsy. you know? I think I have two Ieft hands.
-Then you're the man for carrying eggs. -Yes. you couId say that.
So. what are we going to do now?
WeII. we have a Iot of steak. but we might be expecting guests...
...and they definiteIy eat eggs for breakfast.
You'II stiII have four Ieft.
It's a box with a dozen. isn't it? Or am I mistaken?
No. you're not mistaken.
So wouId you Iike the carton this time?
-It's not necessary. -Are you sure?
But if you insist.
If I insist?
WeII. it might be better. I guess.
-Oh. God. -What?
Oh. no.
I'm sorry.
Before you destroy the rest of the kitchen...
...maybe you shouId take the eggs and Ieave. AII right?
Yes.
No carton?
[LUCKY BARKING]
I'm reaIIy sorry. HonestIy.
Me too.
Here you go.
Thank you very much. Thank you.
I'II teII Mrs. Thompson how nice you were.
ANN: Do what you have to do.
PETER: Have a nice day.
[LAUGHS]
[MUSIC PLAYS ON RADIO]
[LUCKY BARKING]
PAUL: Excuse me?
ANN: Lucky. Lucky. Get down. Come on. come on. stop that.
Get out of here. Go on. get Iost.
I'm sorry. He's compIeteIy harmIess. He just wants to pIay.
That's a strange way to pIay.
-Did he hurt you? -Peter is afraid of dogs.
Oh. I'm sorry.
Me too. He jumped on me.
-I'm reaIIy sorry. -Yeah.
-ShouId I Iock him up so you can Ieave? -That won't be necessary.
-I can caII my husband. -It's not gonna be necessary.
It's my fauIt. I compIeteIy forgot about the dog.
I shouId've come myseIf and....
Wow.
That's a reaIIy great set of cIubs.
It's CaIIaway. right?
Awesome.
These are wonderfuI. May I?
I guess we don't stand a chance tomorrow. do we?
The cIub doesn't make the pIayer.
That's true.
WouId you mind if I tried this?
Just once. pIease? ReaI quick.
Outside. PIease? Yes?
I'II hit it towards the bay. Yes?
If it makes you happy.
Thank you.
Thanks a Iot. ReaIIy.
Thank you.
Excuse me.
He Ioves goIf. We both do.
-Excuse me? -We both do. We both Iove goIf.
[LUCKY BARKING]
Lucky!
Lucky. Be quiet.
-What's the matter with him? GEORGE: I don't know.
It's probabIy too hot for him too.
[LUCKY BARKING HO ARSELY]
[BARKING STOPS]
I'II take a Iook.
PAUL: It's wonderfuI. It reaIIy makes a difference. Iike night and day.
Thanks a Iot.
Sure.
GEORGE: Lucky!
PAUL: Where's Tom? -Who?
PAUL: Did you give him the eggs?
Excuse me?
Driver's reaIIy first cIass. You have to try it.
Listen. young man. I don't know what kind of game you're pIaying...
...but I don't wanna be a part of it.
WouId you pIease Ieave now?
What game?
I'm sorry. ma'am. but I don't understand why you're suddenIy being so unfriendIy.
-Did Tom or I do anything to upset you? ANN: PIease Ieave.
Did you misbehave whiIe I was outside? Was he rude?
-Did he say something that--? -Stop it.
I've asked you niceIy to Ieave. Now I'd Iike you to go.
WeII....
I don't understand what's upset you. but if you insist.
Just give Tom the eggs. and we won't bother you anymore.
Excuse me?
We'II have to teII Eve and Fred. Nothing Iike this has happened to me before.
What about you?
-Can you just give us the eggs. pIease? -No.
How dare you.
PIease just go. Right now.
Did I do something wrong?
I asked you to Ieave. I want you to go.
GEORGE: Have you seen the dog? Is he with you?
-WiII you throw them out? -It's good you're here. Mr. Farber.
-That's your name. isn't it? Farber? -Yes.
Yeah. Fre-- Mr. Thompson toId us.
-What's going on? -I want them to Ieave.
Your wife's under the wrong impression. I'm happy you're here.
I'm certain you can figure out this misunderstanding.
-George. pIease. -Dad. I can't--
Just go. PIease. go.
Hey. Ann.
This is ridicuIous. I can't beIieve this.
-Honey. do you mind...? -No. he's fine.
-May I pIease expIain what happened? -PIease do.
Mrs. Thompson sent me over to ask for some eggs. and then--
Your wife gave Peter the eggs. but. unfortunateIy. they broke.
And then she gave me another four eggs...
...but the dog jumped on me. and now....
You had a dozen and you're going shopping on Monday anyway.
We just want the eggs. that's aII.
Ann. can you teII me what's going on here?
Honey. can you just teII me what's going on?
Just give them to them.
-Can I have them now? -HoId on a moment.
Ann. if it's just about some eggs. why are you so angry?
ANN: Look. I'm not going to justify myseIf in front--
I asked you to throw them out. Maybe I have my reasons.
Do what you want. I've had enough.
Ann.
I'm sorry.
My wife's not feeIing weII. so....
Yeah.
CouId you pIease Ieave?
I can hardIy pIay the mediator if I don't know the facts. now. can I?
So couId you just Ieave. pIease?
PIease. the....
-What? -Just give them to him.
-What the heII is going on here? -Nothing's going on. sir.
He asked for the eggs. the dog attacked him. they broke.
Now he wouId Iike some more. What is so difficuIt to understand?
You better watch your tone. young man.
You better be carefuI. oId man. or I'II break your eggs.
Now. pIease Ieave. right now.
PAUL: Mr. Farber? -What?
[YELLS]
GEORGIE: Dad!
PETER: Is it broken?
Hey. hey. come on. come on. come on.
Hey. Come on. Behave yourseIf.
Behave yourseIf. okay?
Okay? I don't want to hurt you...
...so you have to behave yourseIf.
GEORGIE: Mom. -What is it. baby?
PETER: PIease. just. ma'am. stay where you are. okay?
PIease. stay.
-He sIapped me in the face. -Yeah. he started it.
PETER: You can heIp him. just don't do anything stupid. HeIp him.
-You shouId bring him a chair. ANN: What happened?
It's my knee.
PETER: You shouId take off his pants. He shouId sit. Bring him a chair.
Go get him a chair. honey.
Be carefuI.
PAUL: Peter is a-- He's a medicaI student. He can heIp you with it.
PETER: Can you pIease take off your pants?
If you don't Iet me see your wound. I can't heIp you.
I'm sorry I hurt you. but you forced me to. you must admit.
PAUL: Come on. Mr. Farber. be reasonabIe. Let him Iook at your Ieg.
He can heIp you with it.
WouId you pIease...
...Ieave?
PIease.
PETER: We won't get anywhere Iike this.
PAUL: You have to Iet him heIp you. you don't reaIIy have a choice.
You're the ship's captain. sir.
You're aware that onboard. the captain's word is Iaw. aren't you?
So. what do you want to do?
You want to caII someone?
An ambuIance or the poIice?
I won't stop you.
Neither wiII Tom. Right. Tom?
WeII. what are you waiting for?
He dropped the ceII phone in the sink.
-Why are you doing this? PETER: Why not?
Okay. Iet's pIay another game.
It's a guessing game.
What is this?
Sir?
It's a goIf baII.
Correct. It's a goIf baII.
But why do I have it in my pocket?
Hm? The Iady knows why.
Because...?
WeII?
Because you didn't hit it.
Correct. Because I didn't hit it. And why didn't I hit it?
Because something stopped you.
Correct. Because I had to test the cIub in another way.
Where is he?
PAUL: CoId.
Even coIder.
CoId.
Ice coId.
Warmer.
LittIe coId.
Warmer.
CoId.
Warmer.
Warm. coId.
Warmer.
ReaIIy warm.
WouId you pIease go to the kitchen and get me something to eat?
That be possibIe?
Maybe there's some bananas or....
PIease don't think about bringing back a knife or anything Iike that...
...or I'd be sorry.
For you. I mean.
It's getting cIoudy.
That's very nice of you. thank you.
MAN: HeIIo?
WOMAN: HeIIo?
MAN: HeIIo?
ANN: Yeah!
HeIIo!
WOMAN: Hi. sweetie.
Where are you?
Come on down to the water.
We're both thinking the same thing. aren't we?
Hm?
We saw your boat.
ANN: Hi. Betsy.
Hi. Robert.
When did you get here?
ANN: Today.
We're stiII unpacking.
How Iong you staying?
ANN: ProbabIy a week or two. We're not sure yet.
Oh. wonderfuI. So nice to see you.
ANN: Let me heIp you. BETSY: Thank you.
-Have you ever met my sister-in-Iaw? ANN: No.
PIeased to meet you.
HeIIo. nice to meet you too.
HeIIo. Hi. Robert.
ROBERT: Hi. how are you? ANN: Fine.
This is PauI. He's staying with the Thompsons next door.
-Hi. pIeased to meet you. -Hi. PauI. You coId?
-Oh. no. I have-- I have eczema. -Oh.
You shouId go swimming. the water works wonders for that here.
Thank you. that's good advice.
-HeIIo. pIeased to meet you. -HeIIo.
How's George?
Fine. thanks.
Where is he?
He puIIed a muscIe putting up the mast. so he's Iying down. resting.
BETSY: So sorry to hear that. That's what happens when you try to do too much.
Robert. on the other hand. wouId never dream of Iaunching a boat.
Right. Robert?
TeII your hubby to get better. we're griIIing every night.
ANN: I'II teII him.
I mean it. as soon as he's better. swing by. Robert's son is here.
He brought his IittIe girIfriend. He'd Iike her for sure.
AII right. WeII. Iisten. it's great to see you. darIing.
Listen. if the weather stays Iike this. you'II probabIy have to take the car.
-It's supposed to be windy. -For tomorrow--
PAUL: Where's your dock? -Excuse me?
PAUL: Your dock?
Oh. it's just around the peninsuIa. but on the other side.
The oId cottage. with the red dock?
BETSY: Right.
It's very beautifuI.
WeII. thank you. we enjoy it.
WeII. anyway. it's good to see you. AII right. goodbye.
So you're here aII week?
BETSY: WeII. this week for sure.
Maybe we'II come by tonight.
BETSY: Oh. do. you know we Iove seeing you.
ANN: AII right. We'II see how George is doing.
Yeah. see how he is.
Bye-bye.
-Bye. -Bye.
They'II be here in two hours...
...and then this IittIe charade of yours wiII be over.
PETER: Sorry. but that's not exactIy true.
Didn't you ask your friends to caII and confirm...
...or did I misunderstand something?
They'II come. even if they can't reach us.
PAUL: Is Iying aIIowed?
Just a second. Wait. Iet me move this out of the way.
PETER: Why don't you have a IandIine? Don't you find it convenient?
Or is it that you aren't out here that much?
PIease. have a seat.
You know you can be compIeteIy open with us. You'd feeI better.
We're being compIeteIy open with you.
ANN: Right there.
PETER: You shouId put a piIIow under him.
PAUL: You know. if you'd Iet Peter heIp you. it wouId hurt Iess.
PETER: I'm happy to heIp. reaIIy. I just don't want to impose.
PAUL: CarefuI with....
That's a good idea. put it up. That shouId be more comfortabIe.
PETER: So there we are.
-You sure you don't wanna put a piIIow--? -CouId you pIease stop this?
You're asking?
ANN: What?
You said. ''PIease.''
I'm very happy about this.
It's easier when things are poIite.
I'd Iike to apoIogize for before.
But you have to admit. George. the sIap in the face?
It reaIIy wasn't the most appropriate reaction.
I'm PauI.
This is Peter.
Come here. Tom. Where are your manners? Shake the man's hand.
ANN: Here. take this for the pain.
PAUL: What's this now? What. are we shit to you?
[GEORGE YELLING]
What. didn't we just agree that...?
Jesus Christ!
[GRUNTS]
[SCREAMS]
It's okay. It's okay.
[CLATTERING]
PETER: Stop it now. otherwise your mother wiII get hurt.
Stop it! Do you understand? Do you understand?!
[GEORGIE CRYING]
CaIm down.
So much stress for poIiteness' sake.
[CLEARS THRO AT]
I mean. I was just trying to be friendIy.
Improve reIations. I thought we couId keep this civiIized.
Why are you doing this?
Tubby. why are we doing this?
Go on. say it.
I don't know.
The captain wouId Iike to know why.
WeII?
It's difficuIt to taIk about it.
Don't be shy.
PETER: You know exactIy how hard this is for me.
Jesus. what a drama.
His father divorced his mother when he was this big. for another woman--
It's not true! He's Iying.
My mother got a divorce because--
Because she wanted her IittIe teddy bear aII to herseIf.
Which is why he's gay. and he's a criminaI. got it?
PETER: You're an asshoIe.
PAUL: The truth is...
...he's white trash. He comes from a fiIthy. deprived famiIy.
Five sibIings. aII of them on drugs.
His father is an aIcohoIic.
His mother. weII. I mean. you can imagine.
Truth is...
...he's fucking her.
It's sad. but it's true.
Come on. CaIm down now. Tubby.
GEORGE: Stop it.
You're disgusting.
Can't you at Ieast watch your Ianguage in front of my son?
PAUL: Oh. I'm....
I'm sorry.
Of course.
What wouId you Iike to hear? What wouId make you happy?
None of what I said is true. you know that as weII as I do.
You think he's white trash?
Come on. he's a spoiIed IittIe brat.
He's jaded and disgusted by the emptiness of existence.
It's hard.
ReaIIy.
He Iiked that. Look. now he's smiIing.
Okay?
You happy now. or you want another version?
I'm hungry.
Let's see what there is.
Truth is...
...he's a drug addict.
That's where he's going to right now.
That's why he's so nervous. I'm aIso a drug addict.
We rob rich famiIies in their charming vacation homes to support our habit.
-Mm-hm. GEORGE: Stop this buIIshit.
-I get it. Isn't that enough? PAUL: That's good.
Hey. Tubby. he's got it. He gets it.
That's awesome. reaIIy. ReaIIy. Listen....
Peter. come here.
Listen. we're gonna make a bet now. okay?
Come on. hurry up.
-Sit down. PETER: It's dark in here.
Come on. don't faII asIeep.
Okay. we bet-- What time is it?
Eight-forty.
--that in. Iet's say. 1 2 hours...
...aII three of you...
...are gonna be kaput.
Okay?
What?
You bet that you'II be aIive tomorrow at 9:00...
...and we bet that you'II be dead. okay?
PETER: They don't wanna bet.
WeII. it's not an option. There has to be a bet.
I mean. what do you think? You think they stand a chance?
You're on their side. aren't you? Who are you betting on. hm?
But. wait. what kind of bet is this? If they're dead...
...they can't Iive up to their side. and if they win. they can't Iive. either.
Yes. they'II Iose either way. that's what I'm saying.
GEORGE: Stop this nonsense. Are you trying to scare us?
Haven't you done enough aIready?
What do you want? You want money? WeII. take it. I'II teII you what.
Take what you want. just get out.
Okay?
Don't you think Fred and Eve are going to come over and see what's happening?
And then they're gonna give us a thorough spanking. right?
Okay.
So the bet is on.
Like they say on TV:
Let's make a deaI.
So. what do you want to do now?
WouId you be so kind as to go and make us something to eat?
Tubby...
...I'm worried about you. Can you controI yourseIf?
You just finished stuffing your face with that meat.
It's disgusting. What are these peopIe going to think?
I haven't had anything since noon. Stop caIIing me ''Tubby'' aII the time.
-Okay. Tom. -Okay. Jerry.
Okay. weII. I think you shouId watch your figure.
Do you think that that's attractive?
Look at the captain's wife. You think she thinks you're hot?
-With these jeIIy roIIs? -Stop it.
[PETER LAUGHING]
-Do you Iike having that? -Stop it.
Look at her. she's not that oId.
Pardon me. ma'am. You wouId be compIeteIy acceptabIe to her...
...if it wasn't for that body.
You shouId foIIow her Iead.
Now. that is a weII-toned body.
There's not an extra caIorie on it.
PETER: I'm not so sure.
PAUL: What?
Did you hear that?
Tubby. that's reaIIy rude. Are we gonna take that. ma'am?
-Oh. no. -Hey.
Indian. You.
What's your name anyway?
George.
George? Just Iike Daddy.
That's reaIIy sweet.
Come here. Georgie.
Come here.
Come on. we're gonna pIay a game now.
Leave him aIone.
I know you don't want to pIay with me. but it's a reaIIy awesome game.
-It's a fun game. trust me. ANN: Leave the boy aIone.
You see how your mom fights for you?
-Your daddy couId Iearn from her. GEORGE: Stop it.
That's why we're gonna Iet her pIay too.
Tubby. take Georgie for a second.
You see. this is an awesome game. It's caIIed Cat in a Bag.
It's reaIIy fun. Here we go.
Don't panic. Nothing's going to happen. I said it was a fun game.
It's a famiIy game. Daddy can pIay. too. so he doesn't get bored.
Hey. Georgie. It's no fun if you keep moving around. okay?
Hey! Listen to me.
That's better.
Now. Iisten. we're a team now. aren't we?
Does the cover bother you?
Are you getting enough air?
Are you?
-Georgie? Are you? GEORGIE: Yes.
Awesome.
Now we can start.
If I remember correctIy. Mommy and our IittIe Indian wanted to sneak off.
Now. why was that? Tubby. why was that?
I don't know.
PAUL: Is Iying aIIowed? What kind of exampIe are you setting for these peopIe?
Tubby. you know exactIy why she wanted to Ieave.
Because you started taIking about her jeIIy roIIs.
You're the one who's doubted her perfection.
Whatever. it doesn't matter. Anyway...
...I understand why she was embarrassed in front of the boy here.
That's why we're pIaying Cat in the Bag.
To preserve moraI decency.
Now the kid is in the bag.
Now Iet's see if Mommy's titties sag.
[GEORGIE SCREAMS]
PAUL: We don't want to hurt the kitty-cat. right?
Leave him aIone.
PAUL: ExactIy. Daddy wouId Iike to pIay too.
[GEORGIE SCREAMING]
Oh. God.
PAUL: What are we waiting for?
TeII your wife not to be shy.
It's siIIy. I'm sure she doesn't have jeIIy roIIs.
PIease. Ieave him aIone.
PAUL: You just have to teII her to take off her cIothes.
PIease.
''Take off your cIothes. honey.''
[GEORGIE SCREAMING]
Take off your cIothes.
PAUL: ''Take off your cIothes. honey.''
Take off your cIothes. honey.
PAUL: Bravo.
What did I say? No jeIIy roIIs.
And now we can get dressed again. Thank you.
[CRYING]
Gross. Tubby. come here. Take this pigIet.
He's not even house broken yet.
-Go change his diaper. -I'II take him.
It's okay. I'm not doing anything to him.
ANN: Let go of him!
[ALL GRO ANING AND YELLING]
PAUL: Here.
Have a seat.
I wouId advise you not to kick.
I hope you don't get bored with him.
If you do. dump a bucket of water on his head.
But be carefuI. don't ruin the carpet.
No. it's just a joke.
I have to take my SATs again in the faII...
...and then I'II go to coIIege and study business.
[GEORGE SCREAMS]
Does it hurt badIy?
Why don't you just kiII us?
You shouIdn't forget the importance of entertainment.
[PANTING]
[FOOTSTEPS]
PETER: I'm sorry about the Ieg. but it's reaIIy your own fauIt. if I may say so.
I mean. why did you sIap PauI?
And the pointIess begging for the eggs was pretty uncomfortabIe for me.
Degrading. actuaIIy.
I don't know if that's cIear to you.
If you think about it. aII of this. just for a carton of eggs.
In fact. they must stiII be there.
Besides. you shouId've Iistened to your wife.
She practicaIIy begged you to Iet us Ieave with the eggs.
But then. of course. everyone's aIways smarter in hindsight.
Here they are.
One is cracked. but not bad.
These egg cartons can reaIIy take a Iot. considering.
Why are you doing that? How stupid do you think I am?
I don't understand. what are you thinking?
You're practicaIIy forcing me to treat you badIy.
Shit! Now you've reaIIy done it.
And PauI specificaIIy toId us to be carefuI with the carpet.
PIease. just Iet us go.
Look. you have everything ahead of you. you're stiII so young.
Nothing's reaIIy happened yet.
We can just say George's Ieg broke on the boat.
Everyone wiII beIieve us. I promise you.
-PIease. don't do this. -PIease. just....
Why are you degrading yourseIf? This is as painfuI for me as it is for you.
PAUL: Georgie?
Where are you?
Georgie.
I'm coming.
Wait a second. I'm gonna pIay a IittIe music for us.
[NAKED CITY'S ''BONEHEAD'' PLAYS ON STEREO]
[PAUL WHISTLES]
[GASPS]
-Hi. Georgie. -Don't come any cIoser.
Cock it.
PuII the handIe back.
PuII the trigger.
[IMITATES GUNSHOT]
[MUSIC PLAYS ON TV]
WOMAN 1 [ON TV] : --instead, urged compromise and said emotions--
MAN 1 : --to the museum. -Oh.
WOMAN 2: You were great!
MAN 2: --a good rehearsal.
Damage is mostly along the coast. The tide in some spots--
MAN 3: --his second win at Talladega Superspeedway.
And trying to do what he has to do to win the championship.
And that means he really needs to win this race and Iowa...
...and he needs to see Frank Kimble finish out of the top 26.
That's all he can do.
MAN 4: He does. You had it figured earlier.
It can happen. He knows what he has to do.
He sat on the pole. He has to win here...
...then go into Iowa and give it everything he's got.
MAN 3: Bobby Gerhart put so much effort into Superspeedway....
PAUL: Honey. I'm home.
[MAN 3 CONTINUES SPEAKING INDISTINCTLY ON TV]
Mommy!
What is it. baby? You're okay. aren't you? Aren't you?
GEORGIE: They kiIIed Jenny.
PAUL: Hey. Beavis. PETER: Hey. Butt-Head.
PAUL: Everything under controI? PETER: Looks that way.
PAUL: Good.
May I?
PIease. be my guest.
I'm sure you're wondering. captain. where this hunting rifIe came from.
Or does it Iook famiIiar?
Did you ever go hunting with Fred?
Can you beIieve that your darIing IittIe boy just tried to kiII me with this?
I know it's hard to beIieve. but it's the truth...
...and nothing but the truth. right. Georgie?
-What do you think about that. Tom? -That's bad.
What time is it?
After 1 1 .
I think we shouId think about winning our bet. don't you?
In fact. we shouId be very gratefuI to IittIe Georgie here...
...for heIping us out so much.
One for Beavis.
One for Butt-Head.
Okay.
Eenie, meenie, minie, mo Catch the tiger by the toe
If he hollers let him go Eenie, meenie, minie, mo
You Iook reaIIy bIue.
TeII me now. how oId are you?
She doesn't wanna pIay.
How oId do you think she is?
Thirty. 37?
No jeIIy roIIs.
Let's be generous. Iet's say 35. okay?
You agree?
She agrees.
So who do you want to start with?
With her?
Good.
Now. I'II get something to eat.
One. two. three. four. five. six. seven--
[MAN CONTINUES SPEAKING INDISTINCTLY ON TV]
Does anyone want anything?
Hm?
[GUNSHOT]
[CLATTERING AND GRUNTING]
[GEORGE AND ANN YELLING]
PAUL: You're an idiot. Tubby.
You don't kiII the person who's counted out. you kiII the one Ieft over.
What's wrong with you?
PETER: He tried to run away. PAUL: So what?
That's no reason to get trigger-happy.
Don't you have any sense of timing?
What time is it?
PETER: AImost 1 2. PAUL: Shit.
They're spent.
-Come on. Iet's get out of here. PETER: Okay.
PAUL: Thanks for the driver. I'm gonna put it back in the bag. okay?
Yes?
-Okay. thanks. Have a nice evening. PETER: See you.
PAUL: Ciao.
MAN 1 [ON TV] : Juan Montoya gave a shove to Steve Wallace.
Wallace took over the point, Gerhart dropped all the way back to ninth.
Blake Bjorklund throwing his name into the hat as well.
As far as potential drivers wanting to win here at Talladega...
...Pete Shepherd, another development driver in the 39 for Roush Racing.
Jack Roush actually made the comment:
''He reminds me of a young Mark Martin. ''
Pretty big impressive statement from Jack Roush. Bob Dillner.
MAN 2: You never know what's gonna happen on pit road.
Pretty funny. Just a second ago, Brad Parrott ran down here.
You see him right now. He's in the 61 pit stall...
...and that's because those two are working together.
In fact, Juan Montoya came over the radio and said:
''I am going to stick to the back bumper of the 61 like glue...
...until the white flag. ''
So Brad Parrott ran down here to the crew just to explain things...
...and apparently stayed there just to hang out a little bit.
MAN 1 :Well, wait a second, you can't tell your strategy...
...to the guy you're racing against.
MAN 2: Well, they're saying that now.
If the cars get shuffled, that outside line gets running, they could get busted up.
Juan on the radio minutes ago, talking to his father, saying:
''Where do I go? The high side, the low side? What line do I get in?''
Nobody said nothing.
They've gone.
Do you hear that?
They're gone.
I'II-- I'II get a knife.
[GRUNTING]
[PANTING]
[SOBBING]
ANN: CaIm down.
Just breathe. PIease. just breathe.
PIease. breathe.
Breathe. breathe.
We gotta get out of here.
They may come back.
We--
We need to go.
GEORGE: Okay.
ANN: Can you waIk?
-I'II heIp you. -I'II try.
[WINCES]
ANN: What is it?
[GEORGE GRUNTS]
ANN: Okay.
[ANN CRYING]
GEORGE: Let's go. PIease. Iet's go.
ANN: It's Iocked.
We'II have to go through the window.
Oh. God.
George. pIease. pIease.
I can't. baby. I can't.
Come on. Come on.
You go.
You go. Okay?
If they Iocked the door. they probabIy Iocked the gate too.
You're right.
Take the pIiers. okay?
Cut through the fence.
Be carefuI when you get to the street. they might be waiting. okay?
Where are the pIiers?
Fuck.
They're in the kitchen. I think.
No. In the greenhouse.
Hon. pIease. you got to get dressed. don't you?
Put some shoes on because you might have to run.
I can't Ieave you here. no.
Just go. We're Iosing time.
No. wait. the bag's here. The bag's here. so....
I'II hide in the ceIIar.
Okay? I'II wait for you.
ANN: How wiII you get down there?
GEORGE: I don't know.
-Fuck. -I'II manage. though.
PIease. just go.
PIease.
[CELL PHONE BEEPING]
ANN: George. it's working.
-What? -It must have dried. It's working again.
CaII someone.
-Who? -The poIice.
Okay.
It isn't ringing.
Let me Iisten.
It's probabIy stiII wet.
ANN: There's a signaI.
Wait a minute.
Where's yours?
It's in the fucking car.
[CELL PHONE BEEPING]
ANN: Nothing.
Get the hair dryer. That might work.
ANN: Here.
-I need a chair. -Oh. God.
I'm sorry.
It's not working. honey.
[HAIR DRYER HUMMING]
[CELL PHONE BEEPING]
Forget it.
Maybe it just doesn't work.
We're wasting time.
Just puII me over in the chair. I'II try.
Okay?
You got to go now.
ANN: Okay.
Shit. sorry.
You gotta go.
-Go. now. -Okay.
GEORGE: PIease.
Ann.
PIease forgive me.
ANN: I Iove you.
You run. okay?
Just run.
[BANGING]
[BREATHING HEAVILY]
[HAIR DRYER HUMMING]
ANN: HeIIo!
HeIp me!
HeIp!
[CELL PHONE BEEPS]
[MAN SPEAKING INDISTINCTLY O VER PHONE]
HeIIo?
Can you hear me? This is George Farber.
I Iive at 55 Neck Lane...
...in the head of the harbor.
They kiIIed my son.
Can you hear me?
Shit.
HeIIo? I just caIIed.
[GRO ANS]
Hey! Hey!
Wait!
[GRUNTS]
[CLATTERING]
Ann?
[TAPPING]
PAUL: PIayer one. IeveI two.
Damn it.
Good morning. captain.
Good morning.
PETER: Eenie, meenie, minie, mo
-Catch a tiger by the toe GEORGE: They'II be here any minute.
PAUL: Then we'd better hurry. right. Beavis? PETER: Eenie, meenie, minie, mo
How oId did we say? 37?
PAUL: Thirty-five. PETER: Okay. 35.
-Why won't you beIieve me? PETER: One. two. three....
PAUL: It's a good thing the charger's in the car.
PETER: --nine. 1 0. 1 1 . 1 2. 1 3. 1 4. 1 5--
PAUL: If it's her age. you have to start with her.
PETER: Why?
PAUL: Because those are the ruIes. bIockhead.
PETER: Okay. weII. I'II start with her. then.
The battery wasn't dead yet.
PETER: One. two. three. four.... PAUL: Yeah. I know.
PAUL: It's time to think of something new. The Iady tried that this afternoon.
-Count faster. Beavis. PETER: EIeven. 1 2. 1 3. 1 4....
PAUL: I mean. how primitive do you think we are?
It's not a bet if there's nothing at stake. right. captain?
I mean. even you need a chance.
The wind bIows where it wants to. That's why saiIing is fun.
PETER: Twenty-nine. 30. 31 . 32... PAUL: Right. isn't it?
PETER: ...33. 34. 35.
PAUL: Now. don't make the same mistake twice.
It's not the person counted out. it's the one Ieft over.
[PAUL SPEAKS IN FRENCH]
[PETER SPEAKS IN FRENCH]
PAUL: Wait a minute.
I see a new toy.
I think we have the Iady to thank for this.
[PAUL SPEAKS IN FRENCH]
This is gonna make things a IittIe bit more interesting.
It's boring when mutes suffer.
We want to entertain our audience. right?
Show them what we can do.
You're aIIowed to pIay another game.
The name of this game is The Loving Wife.
Otherwise known as:
Whether by Knife or Whether by Gun...
...Losing Your Life Can Sometimes Be Fun.
Come on. don't faII asIeep.
You have to pIay. otherwise I have to gag you again...
...and you don't Iike that. do you?
So the ruIes of this game are...
...Georgie Sr. is counted out. okay?
He's up next. There's nothing to be done about it...
...unIess you wanna jump in for him. Do you?
Do you? Beavis is not gonna mind. Right. Tubby?
PETER: Don't caII me Tubby. -See. he doesn't mind.
GEORGE: Just get on with it. this is enough. -Enough?
You reaIIy think it's enough? What about you. Ann?
Do you think it's enough. or you wanna keep pIaying?
GEORGE: Don't answer. Let them do what they want. it'II be over faster.
Oh. come on.
Stop being such a coward.
Do you think it's enough? I mean. you want a reaI ending. right?
With pIausibIe pIot deveIopment. don't you?
The bet is stiII on. You can't canceI it by yourseIf.
So the name of the game is The Loving Wife.
Now. aIthough Beavis is aIready finished counting...
...Ann can decide who's up next...
...and with which device.
Which do you prefer?
The IittIe knife or the big gun?
What's the housewife's choice?
You have to admit. Ann...
...I'm being very generous here.
You can prove to your pussy husband how much you Iove him.
[WHISPERS] And between friends. it bareIy costs you anything.
Doesn't reaIIy matter if you crap out now or Iater.
Right?
[IN NORMAL TONE] HeIIo! Wake up! What. you're not interested?
You don't want to pIay anymore? Beavis. show her how the game is pIayed. Here.
PETER: Watch out.
-I aImost cut myseIf. PAUL: ReaIIy?
[GEORGE SCREAMING]
PAUL: Come on. come on. sit down. sit down. sit down.
That's the IittIe knife.
Ann. you can spare him the pain.
You just-- You have to pIay with us.
Everything's gonna be fine.
-What do you want me to do? PAUL: You see. wasn't so difficuIt.
Good.
Okay.
Say a prayer.
Any one you want.
If you can say it without any mistakes...
...then God is on your side...
...and you get to choose what happens next.
Okay?
Okay? Or shouId we continue with Georgie Sr.?
I don't know any prayers.
You don't know any prayers?
Not even one?
Is that possibIe? Where the--? Where the heII are we?
-Tubby. teII her one. -Stop caIIing me ''Tubby'' aII the time.
Okay. fine.
TeII her one.
I love you, God, with all my might Keep me safe all through the night
-That's too short. PETER: I don't know any others.
Okay.
I love you, God, with all my might Keep me safe all through the night
I love you, God, with all my might--
No. you can't say it Iike that. It's a prayer. Ann.
You can't just drone on Iike that. You're asking the Lord for something...
...so pray properIy.
Come on. get down on your knees.
Yeah. kneeI properIy. Put your hands together. That's good.
Not on your stomach.
Where's the person you're praying to. hm? Up there. right? So. pray up there.
Now. Ann...
...from the bottom of your heart. pray.
-Beavis. can you heIp me out here? -No!
Oh. God. I Iove you. God. with aII my might.
PIease. keep me safe aII through the night. pIease.
Bravo.
That was fantastic.
Okay. that was the test run. Now we're gonna go for the OIympic GoId.
If you can say this...
...IittIe. unfortunateIy. much too short of a prayer backwards...
...with no mistakes...
...not onIy wiII you be abIe to decide which one of you bites it first...
...but aIso-- And I'm sure this is gonna interest you more.
--with which device...
...whether it's the fast and aImost painIess big gun...
...or the sIow. drawn-out--
Look out!
[LAUGHS]
[ANN GRUNTS]
Shit.
Where's the remote controI? Where's the fucking remote controI?
[PAUL SPEAKING BACKWARDS]
Okay. that was the test run.
Now we're gonna go for the OIympic GoId.
If you can say this...
...IittIe. unfortunateIy. much too short of a prayer backwards...
...with no mistakes...
...not onIy wiII you be abIe to decide which one of you bites it first...
...but aIso-- And I'm sure this is gonna interest you even more.
--with which device...
...whether it's the fast and aImost painIess big gun...
...or the sIow. drawn-out--
You shouIdn't have done that. Ann.
You're not aIIowed to break the ruIes.
I'm sorry.
You faiIed.
Say goodbye to Georgie.
[GUNSHOT]
PETER: WouId you pIease take a seat?
Give me your gIoves.
PETER: So everything is its mirror image.
But. of course. aII these predictions are Iies to avoid panic.
Now KeIvin knows what's going on.
He wants to warn his wife and daughter in time.
The probIem isn't onIy how to escape the anti-materiaI worId...
...but aIso how to communicate between the two worIds.
-FinaIIy there's a gap-- -Look.
Now. that is what I caII OIympic spirit.
Hey. Tubby. be carefuI. Jesus.
Didn't you say you couIdn't swim?
Bring the widow over here. otherwise she's gonna get IoneIy.
Oh. wait. Wait. wait. wait.
Now.
HeIp me here. pIease. It's difficuIt. you might get hurt.
-So where was I? -There we go.
You were....
You were discussing the difference between communicating...
...between the materiaI universe and the anti-materiaI universe. right?
ExactIy. It's Iike you're inside of a bIack hoIe.
The gravitationaI force is so great that nothing...
...absoIuteIy nothing can escape. which means absoIuteIy no communication.
-But KeIvin has this-- -What time is it?
-What? -What's the time?
After 8.
AIready?
[SPEAKS IN ITALIAN]
[SPLASHES]
Why? The deadIine was 9. She had aImost another hour.
WeII. it's too difficuIt to saiI Iike this...
...first of aII.
Second of aII...
-...I'm getting kind of hungry. -That's true.
And when he overcomes the gravitationaI forces...
...it turns out that one universe is reaI and the other one is fiction.
How?
How do I know? It's a kind of modeI projection in cyberspace.
Okay. so where's your hero now? Is he in reaIity or is he in fiction?
His famiIy's in reaIity. and he's in fiction.
-But isn't fiction reaI? -Why?
WeII. you can see it in the movie. right?
Of course.
WeII. then it's just as reaI as reaIity...
...because you can see it too. right?
BuIIshit.
Why?
HeIIo?
Is anyone there?
HeIIo?
BETSY: Yes?
HeIIo?
PAUL: HeIIo. BETSY: Who's there?
Good morning. I'm sorry to bother you so earIy. ma'am.
Ann sent me.
BETSY: Yes?
You don't remember me. do you?
We met yesterday. at the dock.
-PauI. -Oh. yes.
-Good morning. -Morning.
Ann sent me over because....
Some guests dropped by...
...and she was wondering if you couId heIp her out with some eggs.
WeII. I guess so.
-It's okay? -Yeah. come on in. Just wait a second.
Okay.
[ENGLISH SDH]